{"id":3175,"date":"2022-06-06T16:27:20","date_gmt":"2022-06-06T15:27:20","guid":{"rendered":"https:\/\/dev.culturalgijonesa.org\/ciclu-xunu-2022-enantes-de-richard-linklater\/"},"modified":"2022-06-06T16:27:20","modified_gmt":"2022-06-06T15:27:20","slug":"ciclu-xunu-2022-enantes-de-richard-linklater","status":"publish","type":"post","link":"https:\/\/www.culturalgijonesa.org\/ast\/ciclu-xunu-2022-enantes-de-richard-linklater\/","title":{"rendered":"Ciclu xunu 2022: &#8220;ENANTES DE\u2026\u201d RICHARD LINKLATER"},"content":{"rendered":"<p>En 1995 de la collaboraci\u00f3n de Richard Linklater, unu de los directores independientes m\u00e1s renomaos de la d\u00f3mina, Julie Delpy y Ethan Hawke, surd\u00eda la primera de les pel\u00edcules d&#8217;esta trilox\u00eda, \u201cEnantes del alborecer\u201d. L&#8217;\u00e9xitu de esta serie rom\u00e1ntica ye a escaecer el fechu de que se trataba d&#8217;un proyectu mui personal del director, que cont\u00f3 col compromisu absolutu de los dos actores y l&#8217;aceptaci\u00f3n d&#8217;una xeneraci\u00f3n de p\u00fablicu que se sent\u00eda identific\u00e1u cola historia. La delda con Woody Allen nun puede ser m\u00e1s evidente, tanto nos di\u00e1logos como en parte de la puesta n&#8217;escena. Cola collaboraci\u00f3n de: <a href=\"https:\/\/dev.culturalgijonesa.org\/wp-content\/uploads\/2022\/01\/xixon-cultura-y-educacion.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-2840 alignleft\" src=\"https:\/\/dev.culturalgijonesa.org\/wp-content\/uploads\/2022\/01\/xixon-cultura-y-educacion-300x59.jpg\" alt=\"Conceyal\u00eda de Cultura y Educaci\u00f3n de xix\u00f3n\" width=\"300\" height=\"59\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>En 1995 de la collaboraci\u00f3n de Richard Linklater, unu de los directores independientes m\u00e1s renomaos de la d\u00f3mina, Julie Delpy y Ethan Hawke, surd\u00eda la primera de les pel\u00edcules d&#8217;esta trilox\u00eda, \u201cEnantes del alborecer\u201d. L&#8217;\u00e9xitu de esta serie rom\u00e1ntica ye a escaecer el fechu de que se trataba d&#8217;un proyectu mui personal del director, que [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3173,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_vp_format_video_url":"","_vp_image_focal_point":[],"footnotes":""},"categories":[161,234],"tags":[],"class_list":["post-3175","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cine-ast","category-xixon-ast"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.culturalgijonesa.org\/ast\/wp-json\/wp\/v2\/posts\/3175","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.culturalgijonesa.org\/ast\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.culturalgijonesa.org\/ast\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.culturalgijonesa.org\/ast\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.culturalgijonesa.org\/ast\/wp-json\/wp\/v2\/comments?post=3175"}],"version-history":[{"count":0,"href":"https:\/\/www.culturalgijonesa.org\/ast\/wp-json\/wp\/v2\/posts\/3175\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.culturalgijonesa.org\/ast\/wp-json\/wp\/v2\/media\/3173"}],"wp:attachment":[{"href":"https:\/\/www.culturalgijonesa.org\/ast\/wp-json\/wp\/v2\/media?parent=3175"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.culturalgijonesa.org\/ast\/wp-json\/wp\/v2\/categories?post=3175"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.culturalgijonesa.org\/ast\/wp-json\/wp\/v2\/tags?post=3175"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}