{"id":3443,"date":"2022-12-03T10:48:26","date_gmt":"2022-12-03T09:48:26","guid":{"rendered":"https:\/\/dev.culturalgijonesa.org\/ciclu-diciembre-2022-godard-y-el-llinguaxe-cinematograficu\/"},"modified":"2022-12-03T10:48:26","modified_gmt":"2022-12-03T09:48:26","slug":"ciclu-diciembre-2022-godard-y-el-llinguaxe-cinematograficu","status":"publish","type":"post","link":"https:\/\/www.culturalgijonesa.org\/ast\/ciclu-diciembre-2022-godard-y-el-llinguaxe-cinematograficu\/","title":{"rendered":"CICLU DICIEMBRE 2022: GODARD Y EL LLINGUAXE CINEMATOGR\u00c1FICU"},"content":{"rendered":"<p>La muerte del realizador suizu Jean-Luc Godard alic\u00f3 la llucha ente los sos almiradores y detractores, bien numberosos en dambos bandos. Ye casi una consecuencia inevitable, si tenemos en cuenta la renovaci\u00f3n del llinguaxe cinematogr\u00e1ficu que surdi\u00f3 de los planteamientos, tanto te\u00f3ricos como pr\u00e1cticos, del director. Como amuesa, vamos partir d&#8217;una de les sos pel\u00edcules m\u00e1s accesibles, pa facer un percorr\u00edu peles filmograf\u00edes d&#8217;otros autores con influencies m\u00e1s o menos reconocibles del cine de Godard. Esperamos que sirva pa facer alcordanza d&#8217;un autor, con toles cr\u00edtiques que-y puedan facer, ocupa un llugar fundamental na hestoria del cine. Cola collaboraci\u00f3n de:<\/p>\n<p><a href=\"https:\/\/dev.culturalgijonesa.org\/wp-content\/uploads\/2022\/01\/xixon-cultura-y-educacion-300x59.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-2839 alignleft\" src=\"https:\/\/dev.culturalgijonesa.org\/wp-content\/uploads\/2022\/01\/xixon-cultura-y-educacion-300x59.jpg\" alt=\"Conceyal\u00eda de Cultura y Educaci\u00f3n de xix\u00f3n\" width=\"300\" height=\"59\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La muerte del realizador suizu Jean-Luc Godard alic\u00f3 la llucha ente los sos almiradores y detractores, bien numberosos en dambos bandos. Ye casi una consecuencia inevitable, si tenemos en cuenta la renovaci\u00f3n del llinguaxe cinematogr\u00e1ficu que surdi\u00f3 de los planteamientos, tanto te\u00f3ricos como pr\u00e1cticos, del director. Como amuesa, vamos partir d&#8217;una de les sos pel\u00edcules [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3323,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_vp_format_video_url":"","_vp_image_focal_point":[],"footnotes":""},"categories":[158,161,234],"tags":[],"class_list":["post-3443","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualidad-ast","category-cine-ast","category-xixon-ast"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.culturalgijonesa.org\/ast\/wp-json\/wp\/v2\/posts\/3443","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.culturalgijonesa.org\/ast\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.culturalgijonesa.org\/ast\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.culturalgijonesa.org\/ast\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.culturalgijonesa.org\/ast\/wp-json\/wp\/v2\/comments?post=3443"}],"version-history":[{"count":0,"href":"https:\/\/www.culturalgijonesa.org\/ast\/wp-json\/wp\/v2\/posts\/3443\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.culturalgijonesa.org\/ast\/wp-json\/wp\/v2\/media\/3323"}],"wp:attachment":[{"href":"https:\/\/www.culturalgijonesa.org\/ast\/wp-json\/wp\/v2\/media?parent=3443"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.culturalgijonesa.org\/ast\/wp-json\/wp\/v2\/categories?post=3443"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.culturalgijonesa.org\/ast\/wp-json\/wp\/v2\/tags?post=3443"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}