{"id":4877,"date":"2026-01-06T11:45:18","date_gmt":"2026-01-06T10:45:18","guid":{"rendered":"https:\/\/www.culturalgijonesa.org\/?p=4877"},"modified":"2026-01-06T11:45:18","modified_gmt":"2026-01-06T10:45:18","slug":"xineru-2026-cine-negru","status":"publish","type":"post","link":"https:\/\/www.culturalgijonesa.org\/ast\/xineru-2026-cine-negru\/","title":{"rendered":"Xineru 2026: cine negru"},"content":{"rendered":"<p>El x\u00e9neru negru eyes quiciabes el que meyor sobrevivi\u00f3&#8217;l pasu del tiempu de los \u00f1ac\u00edos del cine cl\u00e1sicu americanu. Una de les razones puede ser que toma&#8217;l fechu criminal como exe pa describir les miseries de la socied\u00e1 capitalista, lo que nun dex\u00f3 de tar d&#8217;actualid\u00e1 dende&#8217;l final de la II Guerra mundial hasta&#8217;l nuestru ya fray\u00e1u siglu XXI.<\/p>\n<p>Nun ye nam\u00e1s que les pel\u00edcules caltengan la so vitalid\u00e1 orixinal sin\u00f3n que&#8217;l \u201cnoir\u201d, como dicen los nuestros vecinos franceses, revitaliza d\u00e9cada tres d\u00e9cada na lliteratura, el cine o les series pa les pantalles paque\u00f1es con gran \u00e9situ de p\u00fablicu.<\/p>\n<p>Esti mes proyectamos dos exemplos del cl\u00e1sicu americanu que nun son los m\u00e1s vistos pero que esllumen pola so maestr\u00eda y el talentu qu&#8217;esplieguen.<\/p>\n<p>Cola collaboraci\u00f3n de:<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-4561 alignleft\" src=\"https:\/\/www.culturalgijonesa.org\/wp-content\/uploads\/2024\/06\/XIXON-CULTURA-Y-EDUCACION-color3-300x59.webp\" alt=\"\" width=\"300\" height=\"59\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Vienres 9<\/strong><\/p>\n<h2><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-4870\" src=\"https:\/\/www.culturalgijonesa.org\/wp-content\/uploads\/2026\/01\/muder-my-sweet-car-203x300.webp\" alt=\"\" width=\"203\" height=\"300\" srcset=\"https:\/\/www.culturalgijonesa.org\/wp-content\/uploads\/2026\/01\/muder-my-sweet-car-203x300.webp 203w, https:\/\/www.culturalgijonesa.org\/wp-content\/uploads\/2026\/01\/muder-my-sweet-car.webp 291w\" sizes=\"(max-width: 203px) 100vw, 203px\" \/>Historia d&#8217;un detective, 1944<\/h2>\n<p><span style=\"font-weight: 400;\">Direcci\u00f3n: Edward Dmytryk<\/span><span style=\"font-weight: 400;\"><br \/>\nI<\/span><span style=\"font-weight: 400;\">nt\u00e9rpretes: Dick Powell, Claire Trevor, Anne Shirley.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Duraci\u00f3n: 95 min.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Nacionalid\u00e1: EE.UU.<\/span><span style=\"font-weight: 400;\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><strong>Sinopsis<\/strong>:\u00a0<\/span><span style=\"font-weight: 400;\">La pel\u00edcula ye l&#8217;adaptaci\u00f3n d&#8217;una novela del gran <\/span><span style=\"font-weight: 400;\">Raymond Chandler y tien tolos ingredientes del cine negru,\u00a0 <\/span><span style=\"font-weight: 400;\">anque esta vez Dick Powell sustituya a Humphrey Bogart nel\u00a0 <\/span><span style=\"font-weight: 400;\">papel del detective Philip Marlowe.\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Imposible reducir l&#8217;argumentu en tres ll\u00ednees, s\u00ed podemos dicir que\u00a0 <\/span><span style=\"font-weight: 400;\">narra una historia de corrupci\u00f3n, chantaxe y crimen, too ello al <\/span><span style=\"font-weight: 400;\">travi\u00e9s de la mirada del detective deten\u00edu y interrog\u00e1u pola <\/span><span style=\"font-weight: 400;\">polic\u00eda.<\/span><\/p>\n<p><strong>Vienres 28<\/strong><\/p>\n<h2><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-4872\" src=\"https:\/\/www.culturalgijonesa.org\/wp-content\/uploads\/2026\/01\/car-angel-face-202x300.webp\" alt=\"\" width=\"202\" height=\"300\" srcset=\"https:\/\/www.culturalgijonesa.org\/wp-content\/uploads\/2026\/01\/car-angel-face-202x300.webp 202w, https:\/\/www.culturalgijonesa.org\/wp-content\/uploads\/2026\/01\/car-angel-face.webp 301w\" sizes=\"(max-width: 202px) 100vw, 202px\" \/>Cara d&#8217;\u00e1nxel, 1952<\/h2>\n<p><span style=\"font-weight: 400;\">Direcci\u00f3n: Otto Preminger<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Int\u00e9rpretes: Jean Simmons, Robert Mitchum, Mona Freeman.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Duraci\u00f3n: 91min.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Nacionalid\u00e1: EE.UU.<\/span><span style=\"font-weight: 400;\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><strong>Sinopsis<\/strong>: <\/span><span style=\"font-weight: 400;\">Preminger dirixe esta historia protagonizada pola <\/span><span style=\"font-weight: 400;\">siempre espl\u00e9ndida Jean Simmons y un Robert Mitchum faciendo <\/span><span style=\"font-weight: 400;\">el papel d&#8217;home que se dexa llevar por el atractivu y la <\/span><span style=\"font-weight: 400;\">personalid\u00e1 de la moza. Nada nuevo sobre&#8217;l papel pero \u00e9sta <\/span><span style=\"font-weight: 400;\">constit\u00fai una de las grandes pel\u00edcules del x\u00e9neru.\u00a0<\/span><\/p>\n<p><b>(*) Las proyecciones van empezar a les 19:00 h y van proyectase na versi\u00f3n orixinal con subt\u00edtulos en castellano.<\/b><\/p>\n","protected":false},"excerpt":{"rendered":"<p>El x\u00e9neru negru eyes quiciabes el que meyor sobrevivi\u00f3&#8217;l pasu del tiempu de los \u00f1ac\u00edos del cine cl\u00e1sicu americanu. Una de les razones puede ser que toma&#8217;l fechu criminal como exe pa describir les miseries de la socied\u00e1 capitalista, lo que nun dex\u00f3 de tar d&#8217;actualid\u00e1 dende&#8217;l final de la II Guerra mundial hasta&#8217;l nuestru [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4921,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","_vp_format_video_url":"","_vp_image_focal_point":[],"footnotes":""},"categories":[161,234],"tags":[],"class_list":["post-4877","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cine-ast","category-xixon-ast"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.culturalgijonesa.org\/ast\/wp-json\/wp\/v2\/posts\/4877","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.culturalgijonesa.org\/ast\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.culturalgijonesa.org\/ast\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.culturalgijonesa.org\/ast\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.culturalgijonesa.org\/ast\/wp-json\/wp\/v2\/comments?post=4877"}],"version-history":[{"count":1,"href":"https:\/\/www.culturalgijonesa.org\/ast\/wp-json\/wp\/v2\/posts\/4877\/revisions"}],"predecessor-version":[{"id":4878,"href":"https:\/\/www.culturalgijonesa.org\/ast\/wp-json\/wp\/v2\/posts\/4877\/revisions\/4878"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.culturalgijonesa.org\/ast\/wp-json\/wp\/v2\/media\/4921"}],"wp:attachment":[{"href":"https:\/\/www.culturalgijonesa.org\/ast\/wp-json\/wp\/v2\/media?parent=4877"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.culturalgijonesa.org\/ast\/wp-json\/wp\/v2\/categories?post=4877"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.culturalgijonesa.org\/ast\/wp-json\/wp\/v2\/tags?post=4877"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}